Vacation to Paris, France includes information for those visiting, studying, or living in Paris.
Paris France largest opera houses are the nineteenth-century Opéra Garnier (historical Paris Opéra) and modern Opéra Bastille; the former tends towards the more classic ballets and operas, and the latter provides a mixed repertoire of classic and modern. In middle of 19th century, there were active two other competing opera houses: Opéra-Comique (which still exists to this day) and Théâtre Lyrique (which in modern times changed its profile and name to Théâtre de la Ville).
Paris France largest opera houses are the nineteenth-century Opéra Garnier (historical Paris Opéra) and modern Opéra Bastille; the former tends towards the more classic ballets and operas, and the latter provides a mixed repertoire of classic and modern. In middle of 19th century, there were active two other competing opera houses: Opéra-Comique (which still exists to this day) and Théâtre Lyrique (which in modern times changed its profile and name to Théâtre de la Ville).Theatre traditionally has occupied a large place in Parisian culture. This still holds true today; and many of its most popular actors today are also stars of French television. Some of Paris' major theatres include Bobino, Théâtre Mogador, and the Théâtre de la Gaîté-Montparnasse. Some Parisian theatres have also doubled as concert halls. Many of France's greatest musical legends, such as Édith Piaf, Maurice Chevalier, Georges Brassens, and Charles Aznavour, found their fame in Parisian concert halls: Legendary yet still-showing examples of these are Le Lido, Bobino, l'Olympia, la Cigale, and le Splendid.
The Élysées-Montmartre, much reduced from its original size, is a concert hall today. The New Morning is one of few Parisian clubs still holding jazz concerts, but the same also specialises in 'indie' music. In more recent times, the Le Zénith hall in Paris' La Villette quarter and a "parc-omnisports" stadium in Bercy serve as large-scale rock concert halls.
Several yearly festivals take place in Paris, such as Rock en Seine.
Parisians tend to share the same movie-going trends as many of the world's global cities, that is to say with a dominance of Hollywood-generated film entertainment. French cinema comes a close second, with major directors (réalisateurs) such as Claude Lelouch, François Truffaut, Jean-Luc Godard, Claude Chabrol, and Luc Besson, and the more slapstick/popular genre with director Claude Zidi as an example. European and Asian films are also widely shown and appreciated. A specialty of Paris is its very large network of small movie theatres: on a given week, the movie fan has the choice between around 300 old or new movies from all over the world.
Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular from the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms: Paris' largest cinema today is by far le Grand Rex theatre with 2,800 seats, whereas other cinemas all have fewer than 1,000 seats. There is now a trend toward modern multiplexes that contain more than 10 or 20 screens.
The Élysées-Montmartre, much reduced from its original size, is a concert hall today. The New Morning is one of few Parisian clubs still holding jazz concerts, but the same also specialises in 'indie' music. In more recent times, the Le Zénith hall in Paris' La Villette quarter and a "parc-omnisports" stadium in Bercy serve as large-scale rock concert halls.
Several yearly festivals take place in Paris, such as Rock en Seine.
Parisians tend to share the same movie-going trends as many of the world's global cities, that is to say with a dominance of Hollywood-generated film entertainment. French cinema comes a close second, with major directors (réalisateurs) such as Claude Lelouch, François Truffaut, Jean-Luc Godard, Claude Chabrol, and Luc Besson, and the more slapstick/popular genre with director Claude Zidi as an example. European and Asian films are also widely shown and appreciated. A specialty of Paris is its very large network of small movie theatres: on a given week, the movie fan has the choice between around 300 old or new movies from all over the world.
Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular from the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms: Paris' largest cinema today is by far le Grand Rex theatre with 2,800 seats, whereas other cinemas all have fewer than 1,000 seats. There is now a trend toward modern multiplexes that contain more than 10 or 20 screens.
