Showing posts with label attractions. Show all posts
Showing posts with label attractions. Show all posts

French cuisine

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French cuisine is a style of cooking derived from the nation of France. It evolved from centuries of social and political change. The Middle Ages brought Guillaume Tirel, better known as Taillevent. The era of the French revolution, however, saw a move toward fewer spices and more liberal usage of herbs and refined techniques, beginning with La Varenne and further developing with the famous chef of Napoleon and other dignitaries, Marie-Antoine Carême.

French cuisine was codified in the 20th century by Georges Auguste Escoffier to become the modern version of haute cuisine. Escoffier's major work, however, left out much of the regional character to be found in the provinces of France. Gastro-tourism and the Guide Michelin helped to bring people to the countryside during the 20th century and beyond, to sample this rich bourgeois and peasant cuisine of France. Gascon cuisine has also been a great influence over the cuisine in the southwest of France.

Ingredients and dishes vary by region. There are many significant regional dishes that have become both national and regional. Many dishes that were once regional have proliferated in variations across the country. Cheese and wine are a major part of the cuisine, playing different roles regionally and nationally with their many variations and Appellation d'origine contrôlée (AOC) (regulated appellation) laws.

Mid 20th century - Late 20th century
The '60s brought about innovative thought to the French Cuisine, especially because of the contribution of Portuguese immigrants that had come to the country fleeing the forced drafting to the Colonial Wars Portugal was fighting in Africa. Many new dishes were introduced, as well as techniques. This period is also marked by the appearance of the "Nouvelle Cuisine".

The term nouvelle cuisine has been used many times in the history of French cuisine. This description was seen in the 1740s of the cuisine from Vincent La Chapelle, François Marin and Menon and even during the 1880s and 1890s to describe Escoffier's cooking. The term came up again however during the 1960s used by two authors Henri Gault and Christian Millau to describe the cooking of Paul Bocuse, Jean Troisgros and Pierre Troisgros, Michel Guérard, Roger Vergé and Raymond Oliver. These chefs were working toward rebelling against the "orthodoxy" of Escoffier's cuisine. Some of the chefs were students of Fernand Point at the Pyramide in Vienne and had left to open their own restaurants. Gault and Millau "discovered the formula" contained in ten characteristics of this new style of cooking.

The first characteristic was a rejection of excessive complication in cooking. Second, the cooking times for most fish, seafood, game birds, veal, green vegetables and pâtés was greatly reduced in an attempt to preserve the natural flavors. Steaming was an important trend from this characteristic. The third characteristic was that the cuisine was made with the freshest possible ingredients. Fourth, large menus were abandoned in favor of shorter menus. Fifth, strong marinades for meat and game ceased to be used. Sixth, they stopped using heavy sauces such as espagnole and béchamel thickened with flour based "roux", in favor of seasoning their dishes with fresh herbs, quality butter, lemon juice, and vinegar. Seventh, they used regional dishes for inspiration instead of haute cuisine dishes. Eighth, new techniques were embraced and modern equipment was often used, Bocuse even used microwave ovens. Ninth, the chefs paid close attention to the dietary needs of their guests through their dishes. Tenth and finally, the chefs were extremely inventive and created new combinations and pairings.

Some have speculated that a contributor to nouvelle cuisine was World War II when animal protein was in short supply during the German occupation. By the mid-1980s food writers stated that the style of cuisine had reached exhaustion and many chefs began returning to the haute cuisine style of cooking, although much of the lighter presentations and new techniques remained.

Common dishes found on a national level
There are many dishes that are considered part of the nation's national cuisine today. Many come from haute cuisine in the fine-dining realm, but others are regional dishes that have become a norm across the country. Below are lists of a few of the more common dishes available in France on a national level.
* Common breads found on a national level
* Common savory dishes found on a national level
* Common desserts and pastries found on a national level
* Common canned food found on the national level

Louvre Museum - Paris France

Visit to Art Museum in Paris
The Musée du Louvre or officially the Grand Louvre, in English, the Louvre Museum or Great Louvre, or simply the Louvre, is the largest national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighbourhood). Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square metres .

the Louvre Museum is housed in the Louvre Palace (Palais du Louvre) which began as a fortress built in the late 12th century under Philip II. Remnants of the fortress are still visible. The building was extended many times to form the present Louvre Palace. In 1672, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of antique sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum, to display the nation's masterpieces.

The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being confiscated church and royal property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The size of the collection increased under Napoleon when the museum was renamed the Musée Napoléon. After his defeat at Waterloo, many works seized by Napoleon's armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic, except during the two World Wars. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.

Art museums in France

Paris Art museums
* Musée du Louvre
* Musée d'Orsay — nineteenth century art (national collection)
* Centre Pompidou (Beaubourg) — twentieth century art (national collection)
* Musée national du Moyen âge (Musée de Cluny) — medieval collection
* Palais de Tokyo — twentieth century art (city of Paris collection)
* Musée Guimet — Asian art
* Musée du quai Branly — Non-Western art
* Grand Palais — changing expositions
* Petit Palais
* Galerie nationale du Jeu de Paume — changing expositions
* Musée Picasso — the artist Pablo Picasso
* Musée Rodin — the sculptor Auguste Rodin
* Musée Zadkine — the big sculptor Ossip Zadkine
* Fondation Dubuffet — the sculptor and painter Jean Dubuffet
* Musée Carnavalet — Paris and the seventeenth century in a former mansion
* Musée Jacquemart-André — private collection from the renaissance to the nineteenth century
* Fondation Cartier — contemporary Art
* Centre National de la photographie
* Musée Bourdelle — the sculptor Emile-Antoine Bourdelle
* Musée Dapper — African art
* Musée Gustave Moreau — the symbolist painter Gustave Moreau
* Manufacture des Gobelins — tapestries and weaving from the 17th century
* Musée Nissim de Camondo — private collection of 18th century works
* Musée Maillol — Fondation Dina Vierny — the sculptor Aristide Maillol
* Maison Européenne de la Photographie
* Musée de Céramique à Sèvres
* Musée du Montparnasse

Near Paris
* Palace of Versailles
* Fontainebleau
* Château de Saint-Germain-en-Laye - Musée des Antiquités Nationales (Museum of National Antiquities).

Palais Royal - Paris France

Paris, France vacations ...
The Palais-Royal is a palace and an associated garden located in the first arrondissement of Paris. It stands opposite the north wing of the Louvre, and its famous forecourt (cour d'honneur), screened with columns and, since 1986, containing Daniel Buren's site-specific artpiece, Les Deux Plateaux, faces the Place du Palais-Royal.

Originally, the palace was the home of Cardinal Richelieu. He hired the architect Jacques Lemercier to design it. It was completed in 1629. During the lifetime of the cardinal, the palace was known as the Palais-Cardinal. Upon his death in 1642, Richelieu bequeathed his lavish residence to the French Crown. After Louis XIII died, it became the home of the Queen Mother, Anne of Austria, her advisor, Cardinal Mazarin, and her young sons, King Louis XIV and Philippe, duc d'Anjou. During the Fronde, the royal family fled there for safety.
... After the Restoration of the Bourbons, at the Palais-Royal the young Alexandre Dumas obtained employment in the office of the powerful duc d'Orléans, who regained control of the Palace during the Restoration. In the Revolution of 1848, the Paris mob trashed and looted the Palais-Royal. Under the Second Empire the Palais-Royal was home to the cadet branch of the Bonaparte family, represented by Prince Napoleon, Napoleon III's cousin.

The House of Orléans did not occupy the northeast wing, where Anne of Austria had originally lived, but instead chose to reside in the palais Brion, where the future regent, before his father died, commissioned Gilles-Marie Oppenord to decorate the grand appartement in the light and lively style Régence that foreshadowed the Rococo. These, and the Regent's more intimate petits appartements, as well as a gallery painted with Virgilian subjects by Coypel, were all demolished in 1784, for the installation of the Théâtre-Français, now the Comédie-Française.

The palais Brion, a separate pavilion standing along rue Richelieu, to the west of the Palais Royal, had been purchased by Louis XIV from the heirs of Cardinal Richelieu. Louis had it connected to the Palais-Royal. It was at the palais Brion that Louis had his mistress Louise de La Vallière stay while his affair with Madame de Montespan was still an official secret.

Later on, the royal collection of antiquities was installed at the palais Brion, under the care of the art critic and official court historian André Félibien, who had been appointed in 1673.